“Virgin River” writer on small towns, twists and next season: “Cameron lives to fight another day”
Patrick Sean Smith is a fan. The writer for the next season of Netflix’s smash hit “Virgin River” is new to the job. But he’s been watching faithfully, featuring every turn in the episodic show twistier than its famous river. And he takes his part very seriously. As he says, entering Season 5 as “the new guy,” Smith is “looking at what resonates so successfully with so many people and making sure I hit those marks.”
And what marks they are. The most recent season had over 87 million hours of viewing time the week of July 25 alone. It’s been in the top slot on Netflix since the new season premiered. After a brief dethroning by the limited series “Keep Breathing,” it’s No. 1 again.
Smith has come onto a show where the fans are devoted and the plotlines are both convoluted and compulsively watchable. At the end of Season 4: everyone’s still pregnant, but not necessarily impregnated by the people we expect. Hope’s dealing with a difficult diagnosis and her surprise, sort-of grandson is dealing with one of his own too. The new guy may be out or our beloved heroine Mel may be out (probably not though). And Jack is drinking. Again.
Meanwhile, something is happening with the drug-running logging camp involving treachery, cash and threats (that storyline is more thorny and difficult to follow than the hike out of the woods). The man who assaulted Brie is back in her life, without her permission. And Preacher is once again saving everyone’s existence while also feeding them delicious, somehow healthy meals from Jack’s Bar.
Smith, a writer for “Dolly Parton’s Heartstrings” and the creator of “Greek,” understands the weight of his role in the beloved series, adapted from the novels by Robyn Carr: “I want to do right by the show and its fans. “
He spoke to Salon on the set of his new job in the midst of filming the next season of “Virgin River,” ducking into a trailer to escape the heat of Vancouver, which stands in for Northern California on the show. “We’re in it now,” he says, “but I’m excited for everyone to see it.”
This interview has been lightly edited for length and clarity.
“Virgin River” is loved by so many people, including my mother. She’s excited that I’m talking with you. What do you think makes the show so appealing? What do you think makes it loved?
I think it’s a really interesting blend of things. I think in the beginning: the fact that it wasn’t dark. That it’s hopeful. That it’s gentle in its storytelling. That it’s thoughtful. That it is timely. That it also doesn’t forget the importance of twists, surprises and cliffhangers, and kind of the fun popcorn element that you want with entertainment, that people get excited about. I think a lot of people see it as a sort of straightforward character drama, but I think it’s really unique in all the elements it has that you have to sustain.
One of the things that I love about it is community. Just that the town is so vivid and loving and supportive. Few shows have that now, I feel. How do you create that sense of real community?
It’s inspiring just by seeing it already in the cast. I know it seems like the cliche of everyone’s like a family, but there is such a closeness in this cast that I think is rare and special. That translates to the chemistry that they all have on screen.
With so much that’s seemingly fractured in our world today, to be able to watch people get along and support each other and challenge each other, and then also to love each other — I talked to somebody and they said: I hate to admit it, but I watched the show and it just made me feel good. And I was like, that shouldn’t be controversial. We shouldn’t look at entertainment and feel bad because something is about community or is about loss or grief or love and think: going darker is better.
And the idea of the community: I grew up in a small town, so I’ve kind of had that experience. But the thing that I also appreciate about the show is that, some shows about small towns go quirky or go whimsical. Even with the kind of grittier crime stories that I think keep the show timely, the show feels real. They feel like real people. It feels like a town that you will drive through. You will stop at a place like Jack’s Bar and these are the people that you will see there. [The show] never tries to be cloying or like it has to present a small town in a way for it to be acceptable to a mass audience, which is: something that is cute and funny.
